Showing posts with label Bernstein. Show all posts
Showing posts with label Bernstein. Show all posts

Saturday, July 30, 2011

R.Strauss: Prima Donnas - RCA

Covers + lossless, Not my Rip

A marvelous souvenir of great nights at the VSO.

"The two-CD set of `Strauss Prima Donnas' in Vienna begins with two extracts from the 1933 EMI highlights. Lehmann's Marschallin monologue is done as one remembered it to be. In the Rose Presentation Olszewska is a heavy, mezzo Octavian but Schumann, after 66 years, remains the sweetest and most accurate of Sophies. The Konetzni and Welitsch items - the latter's astonishing 1948 Salome - also derive from EMI's studios. The legendary 1944 Ariadne, given on Strauss's 80th birthday, has also been available before (DG, 11/94, and Preiser, 11/94). Gueden in the final scene of Daphne, ethereal, silver-voiced, is familiar from the DG issue (7/65R) of the complete performance.

Everything else here is new and taken live from the State Opera. The extracts from the 1955 Frau ohne Schatten has the same cast as the Decca studio set (4/68R) of the same year. The second extract has the young Rysanek singing fabulously as the Empress in her Act 3 solo. Schwarzkopf recorded the final scene of Capriccio in the studio, but here, in what must have been a memorable evening in 1960, she adds the extra frisson offered by a live occasion, singing with lustrous tone. Della Casa and Rothenberger were familiar partners as Arabella and Zdenka: this Act 1 scene is a nice souvenir of their collaboration. A year later, in a glorious, highly dramatic partnership, Nilsson and Waechter sing the Recognition scene from Elektra, and Janowitz is a lovely Ariadne. Here, as elsewhere, Böhm shows himself the supreme Strauss conductor he was, and his players excel themselves for him.

The final offerings, all three from Rosenkavalier, offer us three more Marschallins. Jurinac, who first broached the role at Covent Garden in 1966, and Ludwig as Octavian offer a performance to rival that of Reining and Jurinac... The second extract, from a State Opera performance in Moscow, takes up, more or less, where the first ends. The Marschallin (recorded on the State Opera's visit to Moscow) is not perhaps Rysanek's best Strauss role; she is not quite precise enough of rhythm or word; and Ludwig is a somewhat blowzy Octavian (compared with Jurinac). The set ends with the final duet under Bernstein's loving care, as sweettoothed as you might expect. Ludwig, now as the Marschallin, has only her `Ja, ja' to commend her. [A]s a whole this collection is a marvellous souvenir of great nights at the VSO."

-- Alan Blyth, Gramophone [3/2000]

1. Der Rosenkavalier, Op. 59: Da geht er hin, der aufgeblasene by Richard Strauss
Performer: Sena Jurinac (Soprano), Christa Ludwig (Mezzo Soprano)
Conductor: Heinz Wallberg
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 06/21/1972
Venue: Live Vienna, Austria
Length: 10 Minutes 30 Secs.
Language: German
Notes: This selection is a stereo recording.

2. Der Rosenkavalier, Op. 59: Mir ist..."Rose Presentation" by Richard Strauss
Performer: Maria Olszewska (Alto), Elisabeth Schumann (Soprano)
Conductor: Robert Heger
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1909-1910; Germany
Venue: Vienna, Austria
Length: 6 Minutes 10 Secs.
Language: German
Notes: This selection is a mono recording.
Vienna, Austria (09/20/1933 - 09/24/1933)

3. Ariadne auf Naxos, Op. 60: Sein wir wieder gut by Richard Strauss
Performer: Irmgard Seefried (Mezzo Soprano), Paul Schöffler (Baritone)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 3 Minutes 2 Secs.
Language: German
Notes: This selection is a mono recording.

4. Ariadne auf Naxos, Op. 60: Wo war ich? by Richard Strauss
Performer: Maria Reining (Soprano), Alda Noni (Soprano), Erich Kunz (Baritone)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 10 Minutes 43 Secs.
Language: German
Notes: This selection is a mono recording.
Composition written: Germany (1911).
Composition revised: Germany (1916).

5. Ariadne auf Naxos, Op. 60: Grossmächtige Prinzessin by Richard Strauss
Performer: Alda Noni (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 11 Minutes 2 Secs.
Language: German
Notes: This selection is a mono recording.

6. Der Rosenkavalier, Op. 59: Kann mich auch an ein Mädel by Richard Strauss
Performer: Hilde Konetzni (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 12/15/1947
Venue: Vienna, Austria
Length: 4 Minutes 45 Secs.
Language: German
Notes: This selection is a mono recording.

7. Salome, Op. 54: Ah! Warum hast du mich nicht angeseh'n by Richard Strauss
Performer: Gertrude Schuster (Alto), Ljuba Welitsch (Soprano), Josef Witt (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany
Venue: Vienna, Austria
Length: 10 Minutes 29 Secs.
Language: German
Notes: This selection is a mono recording.
Vienna, Austria (12/22/1948 - 12/24/1948)

8. Die Frau ohne Schatten, Op. 65: Was wollt ihr hier? by Richard Strauss
Performer: Leonie Rysanek (Soprano), Christel Goltz (Soprano), Elisabeth Höngen (Alto),
Karl Terkal (Tenor)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: Germany
Date of Recording: 11/09/1955
Venue: Live Vienna, Austria
Length: 15 Minutes 26 Secs.
Language: German
Notes: This selection is a mono recording.
Composition written: Germany (1914 - 1918).

9. Die Frau ohne Schatten, Op. 65: Vater, bist du's? by Richard Strauss
Performer: Ludwig Weber (Bass Baritone), Leonie Rysanek (Soprano), Christel Goltz (Soprano),
Emmy Loose (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1914-1918; Germany
Date of Recording: 11/09/1955
Venue: Live Vienna, Austria
Length: 9 Minutes 49 Secs.
Language: German
Notes: This selection is a mono recording.

10. Capriccio, Op. 85: Morgenmittag um elf! by Richard Strauss
Performer: Elisabeth Schwarzkopf (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1940-1941; Germany
Date of Recording: 05/15/1960
Venue: Live Vienna, Austria
Length: 13 Minutes 28 Secs.
Language: German
Notes: This selection is a mono recording.

11. Arabella, Op. 79: Ich danke, Fräulein by Richard Strauss
Performer: Lisa Della Casa (Soprano), Anneliese Rothenberger (Soprano)
Conductor: Joseph Keilberth
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1929-1932; Germany
Date of Recording: 06/21/1964
Venue: Live Vienna, Austria
Length: 10 Minutes 53 Secs.
Language: German
Notes: This selection is a stereo recording.

12. Daphne, Op. 82: Unheilvolle Daphne! by Richard Strauss
Performer: Hilde Gueden (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Date of Recording: 04/17/1964
Venue: Live Vienna, Austria
Length: 8 Minutes 20 Secs.
Language: German
Notes: This selection is a stereo recording.

13. Elektra, Op 58: Wer bist denn du? by Richard Strauss
Performer: Birgit Nilsson (Soprano), Eberhard Wächter ()
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1906-1908; Germany
Date of Recording: 12/16/1965
Venue: Live Vienna, Austria
Length: 12 Minutes 37 Secs.
Language: German
Notes: This selection is a stereo recording.

14. Ariadne auf Naxos, Op. 60: Es gibt ein Reich by Richard Strauss
Performer: Gundula Janowitz (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 11/26/1976
Venue: Live Vienna, Austria
Length: 5 Minutes 19 Secs.
Language: German
Notes: This selection is a stereo recording.

15. Der Rosenkavalier, Op. 59: Die Zeit, die ist ein sonderbar by Richard Strauss
Performer: Leonie Rysanek (Soprano), Christa Ludwig (Mezzo Soprano)
Conductor: Heinz Wallberg
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 10/03/1971
Venue: Live Moscow, USSR
Length: 10 Minutes 1 Secs.
Language: German
Notes: This selection is a stereo recording.

16. Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer: Reri Grist (), Erich Kunz (), Christa Ludwig (Mezzo Soprano),
Dame Gwyneth Jones (Soprano)
Conductor: Leonard Bernstein
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 04/13/1968
Venue: Live Vienna, Austria
Length: 8 Minutes 1 Secs.
Language: German
Notes: This selection is a stereo recording.

Links:

R.Strauss: Prima Donnas - RCA

Covers + lossless, Not my Rip

A marvelous souvenir of great nights at the VSO.

"The two-CD set of `Strauss Prima Donnas' in Vienna begins with two extracts from the 1933 EMI highlights. Lehmann's Marschallin monologue is done as one remembered it to be. In the Rose Presentation Olszewska is a heavy, mezzo Octavian but Schumann, after 66 years, remains the sweetest and most accurate of Sophies. The Konetzni and Welitsch items - the latter's astonishing 1948 Salome - also derive from EMI's studios. The legendary 1944 Ariadne, given on Strauss's 80th birthday, has also been available before (DG, 11/94, and Preiser, 11/94). Gueden in the final scene of Daphne, ethereal, silver-voiced, is familiar from the DG issue (7/65R) of the complete performance.

Everything else here is new and taken live from the State Opera. The extracts from the 1955 Frau ohne Schatten has the same cast as the Decca studio set (4/68R) of the same year. The second extract has the young Rysanek singing fabulously as the Empress in her Act 3 solo. Schwarzkopf recorded the final scene of Capriccio in the studio, but here, in what must have been a memorable evening in 1960, she adds the extra frisson offered by a live occasion, singing with lustrous tone. Della Casa and Rothenberger were familiar partners as Arabella and Zdenka: this Act 1 scene is a nice souvenir of their collaboration. A year later, in a glorious, highly dramatic partnership, Nilsson and Waechter sing the Recognition scene from Elektra, and Janowitz is a lovely Ariadne. Here, as elsewhere, Böhm shows himself the supreme Strauss conductor he was, and his players excel themselves for him.

The final offerings, all three from Rosenkavalier, offer us three more Marschallins. Jurinac, who first broached the role at Covent Garden in 1966, and Ludwig as Octavian offer a performance to rival that of Reining and Jurinac... The second extract, from a State Opera performance in Moscow, takes up, more or less, where the first ends. The Marschallin (recorded on the State Opera's visit to Moscow) is not perhaps Rysanek's best Strauss role; she is not quite precise enough of rhythm or word; and Ludwig is a somewhat blowzy Octavian (compared with Jurinac). The set ends with the final duet under Bernstein's loving care, as sweettoothed as you might expect. Ludwig, now as the Marschallin, has only her `Ja, ja' to commend her. [A]s a whole this collection is a marvellous souvenir of great nights at the VSO."

-- Alan Blyth, Gramophone [3/2000]

1. Der Rosenkavalier, Op. 59: Da geht er hin, der aufgeblasene by Richard Strauss
Performer: Sena Jurinac (Soprano), Christa Ludwig (Mezzo Soprano)
Conductor: Heinz Wallberg
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 06/21/1972
Venue: Live Vienna, Austria
Length: 10 Minutes 30 Secs.
Language: German
Notes: This selection is a stereo recording.

2. Der Rosenkavalier, Op. 59: Mir ist..."Rose Presentation" by Richard Strauss
Performer: Maria Olszewska (Alto), Elisabeth Schumann (Soprano)
Conductor: Robert Heger
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1909-1910; Germany
Venue: Vienna, Austria
Length: 6 Minutes 10 Secs.
Language: German
Notes: This selection is a mono recording.
Vienna, Austria (09/20/1933 - 09/24/1933)

3. Ariadne auf Naxos, Op. 60: Sein wir wieder gut by Richard Strauss
Performer: Irmgard Seefried (Mezzo Soprano), Paul Schöffler (Baritone)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 3 Minutes 2 Secs.
Language: German
Notes: This selection is a mono recording.

4. Ariadne auf Naxos, Op. 60: Wo war ich? by Richard Strauss
Performer: Maria Reining (Soprano), Alda Noni (Soprano), Erich Kunz (Baritone)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 10 Minutes 43 Secs.
Language: German
Notes: This selection is a mono recording.
Composition written: Germany (1911).
Composition revised: Germany (1916).

5. Ariadne auf Naxos, Op. 60: Grossmächtige Prinzessin by Richard Strauss
Performer: Alda Noni (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 06/11/1944
Venue: Live Vienna, Austria
Length: 11 Minutes 2 Secs.
Language: German
Notes: This selection is a mono recording.

6. Der Rosenkavalier, Op. 59: Kann mich auch an ein Mädel by Richard Strauss
Performer: Hilde Konetzni (Soprano)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 12/15/1947
Venue: Vienna, Austria
Length: 4 Minutes 45 Secs.
Language: German
Notes: This selection is a mono recording.

7. Salome, Op. 54: Ah! Warum hast du mich nicht angeseh'n by Richard Strauss
Performer: Gertrude Schuster (Alto), Ljuba Welitsch (Soprano), Josef Witt (Tenor)
Conductor: Herbert von Karajan
Orchestra/Ensemble: Vienna Philharmonic Orchestra
Period: Romantic
Written: 1903-1905; Germany
Venue: Vienna, Austria
Length: 10 Minutes 29 Secs.
Language: German
Notes: This selection is a mono recording.
Vienna, Austria (12/22/1948 - 12/24/1948)

8. Die Frau ohne Schatten, Op. 65: Was wollt ihr hier? by Richard Strauss
Performer: Leonie Rysanek (Soprano), Christel Goltz (Soprano), Elisabeth Höngen (Alto),
Karl Terkal (Tenor)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: Germany
Date of Recording: 11/09/1955
Venue: Live Vienna, Austria
Length: 15 Minutes 26 Secs.
Language: German
Notes: This selection is a mono recording.
Composition written: Germany (1914 - 1918).

9. Die Frau ohne Schatten, Op. 65: Vater, bist du's? by Richard Strauss
Performer: Ludwig Weber (Bass Baritone), Leonie Rysanek (Soprano), Christel Goltz (Soprano),
Emmy Loose (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1914-1918; Germany
Date of Recording: 11/09/1955
Venue: Live Vienna, Austria
Length: 9 Minutes 49 Secs.
Language: German
Notes: This selection is a mono recording.

10. Capriccio, Op. 85: Morgenmittag um elf! by Richard Strauss
Performer: Elisabeth Schwarzkopf (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1940-1941; Germany
Date of Recording: 05/15/1960
Venue: Live Vienna, Austria
Length: 13 Minutes 28 Secs.
Language: German
Notes: This selection is a mono recording.

11. Arabella, Op. 79: Ich danke, Fräulein by Richard Strauss
Performer: Lisa Della Casa (Soprano), Anneliese Rothenberger (Soprano)
Conductor: Joseph Keilberth
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1929-1932; Germany
Date of Recording: 06/21/1964
Venue: Live Vienna, Austria
Length: 10 Minutes 53 Secs.
Language: German
Notes: This selection is a stereo recording.

12. Daphne, Op. 82: Unheilvolle Daphne! by Richard Strauss
Performer: Hilde Gueden (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Date of Recording: 04/17/1964
Venue: Live Vienna, Austria
Length: 8 Minutes 20 Secs.
Language: German
Notes: This selection is a stereo recording.

13. Elektra, Op 58: Wer bist denn du? by Richard Strauss
Performer: Birgit Nilsson (Soprano), Eberhard Wächter ()
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1906-1908; Germany
Date of Recording: 12/16/1965
Venue: Live Vienna, Austria
Length: 12 Minutes 37 Secs.
Language: German
Notes: This selection is a stereo recording.

14. Ariadne auf Naxos, Op. 60: Es gibt ein Reich by Richard Strauss
Performer: Gundula Janowitz (Soprano)
Conductor: Karl Böhm
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 11/26/1976
Venue: Live Vienna, Austria
Length: 5 Minutes 19 Secs.
Language: German
Notes: This selection is a stereo recording.

15. Der Rosenkavalier, Op. 59: Die Zeit, die ist ein sonderbar by Richard Strauss
Performer: Leonie Rysanek (Soprano), Christa Ludwig (Mezzo Soprano)
Conductor: Heinz Wallberg
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 10/03/1971
Venue: Live Moscow, USSR
Length: 10 Minutes 1 Secs.
Language: German
Notes: This selection is a stereo recording.

16. Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer: Reri Grist (), Erich Kunz (), Christa Ludwig (Mezzo Soprano),
Dame Gwyneth Jones (Soprano)
Conductor: Leonard Bernstein
Orchestra/Ensemble: Vienna State Opera Orchestra
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 04/13/1968
Venue: Live Vienna, Austria
Length: 8 Minutes 1 Secs.
Language: German
Notes: This selection is a stereo recording.

Links:

Friday, July 29, 2011

Bernstein - Debussy: The Martyrdom of Saint Sebastian - Sony

Covers + lossless, Not my Rip

Le martyre de Saint Sébastien, incidental music for soloists, chorus & orchestra, L. 124
Composed by Claude Debussy
Performed by New York Philharmonic
with Marlena Kleinman, Virgina Babikian, Joanna Simon, Adele Addison
Conducted by Leonard Bernstein

Links:

Bernstein - Debussy: The Martyrdom of Saint Sebastian - Sony

Covers + lossless, Not my Rip

Le martyre de Saint Sébastien, incidental music for soloists, chorus & orchestra, L. 124
Composed by Claude Debussy
Performed by New York Philharmonic
with Marlena Kleinman, Virgina Babikian, Joanna Simon, Adele Addison
Conducted by Leonard Bernstein

Links:

Sunday, July 24, 2011

Bernstein - Copland: Symphony No.3 - Quiet City - DG

Covers + lossless, Not my Rip

Late in his career, Leonard Bernstein returned to the greatest orchestral work by his lifelong friend, Aaron Copland, with a performance that eclipsed all others, including Bernstein's own previous recording of the Symphony no. 3 on Sony. Though Copland's stock still hadn't climbed back to its present height, Bernstein gave the music a grandeur that made you forget how much of a cliché the Fanfare for the Common Man--which was worked into the finale of the Third--can be. In fact, many of the world-stopping qualities Bernstein brought to his second Mahler cycle for Deutsche Grammophon seem much in evidence here, with the New York Philharmonic playing as though its collective life depended on it. --David Patrick Stearns

Symphony No. 3
Composed by Aaron Copland
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Quiet City, for English horn, trumpet & strings (from the incidental music)
Composed by Aaron Copland
Performed by New York Philharmonic
with Philip [1] Smith, Thomas Stacy
Conducted by Leonard Bernstein

Links:

Bernstein - Copland: Symphony No.3 - Quiet City - DG

Covers + lossless, Not my Rip

Late in his career, Leonard Bernstein returned to the greatest orchestral work by his lifelong friend, Aaron Copland, with a performance that eclipsed all others, including Bernstein's own previous recording of the Symphony no. 3 on Sony. Though Copland's stock still hadn't climbed back to its present height, Bernstein gave the music a grandeur that made you forget how much of a cliché the Fanfare for the Common Man--which was worked into the finale of the Third--can be. In fact, many of the world-stopping qualities Bernstein brought to his second Mahler cycle for Deutsche Grammophon seem much in evidence here, with the New York Philharmonic playing as though its collective life depended on it. --David Patrick Stearns

Symphony No. 3
Composed by Aaron Copland
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Quiet City, for English horn, trumpet & strings (from the incidental music)
Composed by Aaron Copland
Performed by New York Philharmonic
with Philip [1] Smith, Thomas Stacy
Conducted by Leonard Bernstein

Links:

Friday, July 22, 2011

Bernstein - Copland: Symphony No.3 - Symphony for Organ & Orchestra - Sony

Covers + lossless, Not my Rip

Leonard Bernstein's performance of Copland's Third Symphony has had to wait a long time before finally appearing on CD. Part of the delay no doubt stemmed from the fact that DG released a second, later recording with the same orchestra, in digital sound. Comparing the two versions, both of which are very good, one prefers this first performance. Not only does the music move a bit more quickly, with sharper rhythms and a stronger sense of the dance (never far from Copland's musical thoughts), but the sonics are more naturally pleasing. The coupling is a terrific performance of the early Organ Symphony, which the composer wrote for his teacher, Nadia Boulanger. --David Hurwitz

Symphony No. 3
Composed by Aaron Copland
with New York Philharmonic
Conducted by Leonard Bernstein

Symphony for Organ and Orchestra
Composed by Aaron Copland
with E. Power Biggs, New York Philharmonic
Conducted by Leonard Bernstein

Links:

Bernstein - Copland: Symphony No.3 - Symphony for Organ & Orchestra - Sony

Covers + lossless, Not my Rip

Leonard Bernstein's performance of Copland's Third Symphony has had to wait a long time before finally appearing on CD. Part of the delay no doubt stemmed from the fact that DG released a second, later recording with the same orchestra, in digital sound. Comparing the two versions, both of which are very good, one prefers this first performance. Not only does the music move a bit more quickly, with sharper rhythms and a stronger sense of the dance (never far from Copland's musical thoughts), but the sonics are more naturally pleasing. The coupling is a terrific performance of the early Organ Symphony, which the composer wrote for his teacher, Nadia Boulanger. --David Hurwitz

Symphony No. 3
Composed by Aaron Copland
with New York Philharmonic
Conducted by Leonard Bernstein

Symphony for Organ and Orchestra
Composed by Aaron Copland
with E. Power Biggs, New York Philharmonic
Conducted by Leonard Bernstein

Links:

Tuesday, July 19, 2011

Bernstein - Copland: Music For The Theatre - Piano Concerto - Sony

Covers + lossless, Not my Rip

Aaron Copland
(1900-1990)

Music for the Theatre
Concerto for Piano and Orchestra
Connotations for Orchestra
El Salón México*

Aaron Copland, piano
*Columbia Symphony Orchestra
New York Philharmonic
Leonard Bernstein

Links:

Bernstein - Copland: Music For The Theatre - Piano Concerto - Sony

Covers + lossless, Not my Rip

Aaron Copland
(1900-1990)

Music for the Theatre
Concerto for Piano and Orchestra
Connotations for Orchestra
El Salón México*

Aaron Copland, piano
*Columbia Symphony Orchestra
New York Philharmonic
Leonard Bernstein

Links:

Sunday, July 17, 2011

Bernstein - Prokofiev: Peter & The Wolf - Saint-Saen: Le Carnival Des Animaux - Britten: Young Person's Guide - Sony

Covers + lossless, Not my Rip

Peter and the Wolf, children's tale for narrator & orchestra, Op. 67
Composed by Sergey Prokofiev
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Carnival of the Animals, zoological fantasy for 2 pianos & ensemble
Composed by Camille Saint-Saens
Performed by New York Philharmonic
with Naomi Segal, Ruth Segal
Conducted by Leonard Bernstein

Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34
Composed by Benjamin Britten
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Links:

Bernstein - Prokofiev: Peter & The Wolf - Saint-Saen: Le Carnival Des Animaux - Britten: Young Person's Guide - Sony

Covers + lossless, Not my Rip

Peter and the Wolf, children's tale for narrator & orchestra, Op. 67
Composed by Sergey Prokofiev
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Carnival of the Animals, zoological fantasy for 2 pianos & ensemble
Composed by Camille Saint-Saens
Performed by New York Philharmonic
with Naomi Segal, Ruth Segal
Conducted by Leonard Bernstein

Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34
Composed by Benjamin Britten
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Links:

Friday, July 15, 2011

Bernstein - Bruckner: Symphony No.9 - DG

Covers + lossless, Not my Rip
Other with New York Philhamonic - Sony

Bruckner: Symphony No.9
1. Feierlich, Misterioso
2. Scherzo. Bewegt, lebhaft-Trio Schnell
3. Adagio. Langsam, feierlich

Vienna Philharmoniker
Leonard Bernstein, Conductor

Links:

Bernstein - Bruckner: Symphony No.9 - DG

Covers + lossless, Not my Rip
Other with New York Philhamonic - Sony

Bruckner: Symphony No.9
1. Feierlich, Misterioso
2. Scherzo. Bewegt, lebhaft-Trio Schnell
3. Adagio. Langsam, feierlich

Vienna Philharmoniker
Leonard Bernstein, Conductor

Links:

Wednesday, July 13, 2011

Bernstein - Bruckner: Symphony No.9 - Sony

Front Cover + lossless, Not my Rip

Bruckner: Symphony No.9
01. Feierlich, Misterioso
02. Scherzo. Bewegt, lebhaft - Trio. Schnell
03. Adagio. Langsam, Feierlich

New York Philhamonic
Leonard Bernstein, Conductor

Links:

Bernstein - Bruckner: Symphony No.9 - Sony

Front Cover + lossless, Not my Rip

Bruckner: Symphony No.9
01. Feierlich, Misterioso
02. Scherzo. Bewegt, lebhaft - Trio. Schnell
03. Adagio. Langsam, Feierlich

New York Philhamonic
Leonard Bernstein, Conductor

Links:

Tuesday, July 12, 2011

Bernstein - Chabrier - Falla : Orchestra Works - Sony

Covers + lossless, Not my Rip

España, rhapsody for orchestra
Composed by Emmanuel Chabrier
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version)
Composed by Manuel de Falla
Performed by New York Philharmonic
with Marilyn Horne
Conducted by Leonard Bernstein

Fanfare pour une fête, for 2 horns & drums, G. 61
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

La Vida breve, opera, G. 35/39 (2 versions) Interlude and Dance
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Sombrero de tres picos, Suite No. 1, for orchestra (scenes and dances from Part I), G. 58
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Sombrero de tres picos, Suite No. 2, for orchestra (scenes and dances from Part II), G. 59
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Links:

Bernstein - Chabrier - Falla : Orchestra Works - Sony

Covers + lossless, Not my Rip

España, rhapsody for orchestra
Composed by Emmanuel Chabrier
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version)
Composed by Manuel de Falla
Performed by New York Philharmonic
with Marilyn Horne
Conducted by Leonard Bernstein

Fanfare pour une fête, for 2 horns & drums, G. 61
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

La Vida breve, opera, G. 35/39 (2 versions) Interlude and Dance
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Sombrero de tres picos, Suite No. 1, for orchestra (scenes and dances from Part I), G. 58
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

El Sombrero de tres picos, Suite No. 2, for orchestra (scenes and dances from Part II), G. 59
Composed by Manuel de Falla
Performed by New York Philharmonic
Conducted by Leonard Bernstein

Links:

Sunday, July 10, 2011

Bernstein - Brahms: Symphony No.4 - Overtures - Sony

Covers + lossless, Not my Rip
Others Bernstein - Brahms: Symphonies - Concertos on Sony  

1. Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
2. Symphony No. 4 in E minor, Op. 98: II. Andante moderato
3. Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso; Poco meno presto
4. Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato; Più allegro
5. Academic Festival Overture, Op. 80
6. Tragic Overture, Op. 81

Leonard Bernstein: Conductor
New York Philharmonic

Links:

Bernstein - Brahms: Symphony No.4 - Overtures - Sony

Covers + lossless, Not my Rip
Others Bernstein - Brahms: Symphonies - Concertos on Sony  

1. Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
2. Symphony No. 4 in E minor, Op. 98: II. Andante moderato
3. Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso; Poco meno presto
4. Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato; Più allegro
5. Academic Festival Overture, Op. 80
6. Tragic Overture, Op. 81

Leonard Bernstein: Conductor
New York Philharmonic

Links: