Showing posts with label Decca. Show all posts
Showing posts with label Decca. Show all posts

Saturday, July 30, 2011

Poulenc: Piano Concerto - Concerto for 2 Pianos - Organ Concerto - Roge - Dutoit - Decca

Covers + lossless, Not my Rip

A man ‘in love with life, mischievous, good-hearted, tender and pert, sad and serenely mystical, at once a monk and playboy’ was how Stéphane Audel remembered his friend Poulenc. A patchwork quilt of unforgettable ideas, alternately humorous and hallowed, elegantly crafted and exquisitely coloured, the three works on this new release are enduring testimonies to his ‘wildly eclectic’ art. Ghosts of the past, parodies of friends and contemporaries, lurk tantalisingly among their pages: Rachmaninov, Mahler, Copland in the Piano Concerto (1949); Balinese gamelan and Mozart in the divertissement Double Concerto (1932), described in the booklet notes as ‘a typical cocktail of all that seemed gay and good to Poulenc at the time’; Bach, Tchaikovsky (the Pathétique) in the rightly famous Organ Concerto (1939). Throughout, unmistakably, strolls the master ‘in that lazy way peculiar to him’ (Audel).

These are brilliant performances. No one understands the language or structure of this music better than Dutoit, and his three soloists are magnificent. Rogé and Deferne are on just the right side of brittleness, and Hurford’s sense of theatre and timing is compelling. The Philharmonia, tight in ensemble and rhythmically athletic, are in a class of their own. Demonstration quality sound, not least in the Organ Concerto (recorded in St Alban’s Cathedral).
Performance: 5 (out of 5); Sound: 5 (out or 5)

-- Ates Orga, BBC Music Magazine

1. Concerto for Piano by Francis Poulenc
Performer: Pascal Rogé (Piano)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1949; France
Date of Recording: 02/1992
Venue: Walthamstow Town Hall, London, England
Length: 19 Minutes 21 Secs.
2. Concerto for 2 Pianos in D minor by Francis Poulenc
Performer: Pascal Rogé (Piano), Sylviane Deferne (Piano)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1932; France
Date of Recording: 02/1992
Venue: Walthamstow Town Hall, London, England
Length: 18 Minutes 21 Secs.
3. Concerto for Organ, Strings and Timpani in G minor by Francis Poulenc
Performer: Peter Hurford (Organ)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1938; France
Date of Recording: 02/1992
Venue: St. Albans Cathedral, London, England
Length: 22 Minutes 4 Secs.

Links:

Poulenc: Piano Concerto - Concerto for 2 Pianos - Organ Concerto - Roge - Dutoit - Decca

Covers + lossless, Not my Rip

A man ‘in love with life, mischievous, good-hearted, tender and pert, sad and serenely mystical, at once a monk and playboy’ was how Stéphane Audel remembered his friend Poulenc. A patchwork quilt of unforgettable ideas, alternately humorous and hallowed, elegantly crafted and exquisitely coloured, the three works on this new release are enduring testimonies to his ‘wildly eclectic’ art. Ghosts of the past, parodies of friends and contemporaries, lurk tantalisingly among their pages: Rachmaninov, Mahler, Copland in the Piano Concerto (1949); Balinese gamelan and Mozart in the divertissement Double Concerto (1932), described in the booklet notes as ‘a typical cocktail of all that seemed gay and good to Poulenc at the time’; Bach, Tchaikovsky (the Pathétique) in the rightly famous Organ Concerto (1939). Throughout, unmistakably, strolls the master ‘in that lazy way peculiar to him’ (Audel).

These are brilliant performances. No one understands the language or structure of this music better than Dutoit, and his three soloists are magnificent. Rogé and Deferne are on just the right side of brittleness, and Hurford’s sense of theatre and timing is compelling. The Philharmonia, tight in ensemble and rhythmically athletic, are in a class of their own. Demonstration quality sound, not least in the Organ Concerto (recorded in St Alban’s Cathedral).
Performance: 5 (out of 5); Sound: 5 (out or 5)

-- Ates Orga, BBC Music Magazine

1. Concerto for Piano by Francis Poulenc
Performer: Pascal Rogé (Piano)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1949; France
Date of Recording: 02/1992
Venue: Walthamstow Town Hall, London, England
Length: 19 Minutes 21 Secs.
2. Concerto for 2 Pianos in D minor by Francis Poulenc
Performer: Pascal Rogé (Piano), Sylviane Deferne (Piano)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1932; France
Date of Recording: 02/1992
Venue: Walthamstow Town Hall, London, England
Length: 18 Minutes 21 Secs.
3. Concerto for Organ, Strings and Timpani in G minor by Francis Poulenc
Performer: Peter Hurford (Organ)
Conductor: Charles Dutoit
Orchestra/Ensemble: Philharmonia Orchestra
Period: 20th Century
Written: 1938; France
Date of Recording: 02/1992
Venue: St. Albans Cathedral, London, England
Length: 22 Minutes 4 Secs.

Links:

Poulenc: Concert Champetre - Sinfonietta - Roge - Dutoit - Decca

Covers + lossless, Not my Rip

1. Sinfonietta pour orchestre - 1. Allegro con fuoco 8:37
2. Sinfonietta pour orchestre - 2. Molto vivace 5:54
3. Sinfonietta pour orchestre - 3. Andante cantabile 7:23
4. Sinfonietta pour orchestre - 4. Finale 6:25
5. Concert Champêtre - Allegro molto 10:36
6. Concert Champêtre - Andante 6:04
7. Concert Champêtre - Finale 8:07
8. Hommage à Albert Roussel, FP50 - For small orchestra - Pièce brève sur le nom d'Albert Roussel 2:07
9. Variations sur le nom de Marguerite Long - Bucolique 2:26
10. Fanfare 2:51
11. Deux Marches et un Intermède - 1. Marche (1889) 1:35
12. Deux Marches et un Intermède - 2. Intermède champêtre 1:49
13. Deux Marches et un Intermède - 3. March (1937) 1:50
14. Suite française for small orchestra - 1. Bransle de Bourgogne 1:22
15. Suite française for small orchestra - 2. Pavane 2:25
16. Suite française for small orchestra - 3. Petite marche militaire 1:06
17. Suite française for small orchestra - 4. Complainte 1:29
18. Suite française for small orchestra - 5. Bransle de Champagne 1:42
19. Suite française for small orchestra - 6. Sicilienne 1:53
20. Suite française for small orchestra - 7. Carillon 1:37

Links:

Poulenc: Concert Champetre - Sinfonietta - Roge - Dutoit - Decca

Covers + lossless, Not my Rip

1. Sinfonietta pour orchestre - 1. Allegro con fuoco 8:37
2. Sinfonietta pour orchestre - 2. Molto vivace 5:54
3. Sinfonietta pour orchestre - 3. Andante cantabile 7:23
4. Sinfonietta pour orchestre - 4. Finale 6:25
5. Concert Champêtre - Allegro molto 10:36
6. Concert Champêtre - Andante 6:04
7. Concert Champêtre - Finale 8:07
8. Hommage à Albert Roussel, FP50 - For small orchestra - Pièce brève sur le nom d'Albert Roussel 2:07
9. Variations sur le nom de Marguerite Long - Bucolique 2:26
10. Fanfare 2:51
11. Deux Marches et un Intermède - 1. Marche (1889) 1:35
12. Deux Marches et un Intermède - 2. Intermède champêtre 1:49
13. Deux Marches et un Intermède - 3. March (1937) 1:50
14. Suite française for small orchestra - 1. Bransle de Bourgogne 1:22
15. Suite française for small orchestra - 2. Pavane 2:25
16. Suite française for small orchestra - 3. Petite marche militaire 1:06
17. Suite française for small orchestra - 4. Complainte 1:29
18. Suite française for small orchestra - 5. Bransle de Champagne 1:42
19. Suite française for small orchestra - 6. Sicilienne 1:53
20. Suite française for small orchestra - 7. Carillon 1:37

Links:

Friday, July 29, 2011

Blu-ray - Khachaturian - Acosta: Spartacus - Decca

BDRip 720 | 1280x720, x264 | DTS

This is one of the most powerful ballets in the Bolshoi’s repertory, and regarded as a milestone in the history of ballet for men. The Bolshoi dancers regard it as central to their dance art. The story of the slave uprising in early Rome led by gladiator Spartacus was a natural fit for Soviet culture, even though the uprising was ill-fated. The Romans represented the Tsarist regime of course, and the downtrodden slaves the proletariat. With the end of the Soviet Union the ballet was out of favor for a time, but has now been revived for a third run and its success revolves around the work’s new star - Cuban dancer Carlos Acosta.

Acosta didn’t know a word of Russian when he came to rehearse with the Bolshoi dancers, but Cuba has a history of Russian and other ballet leaders having been active on the island. Acosta seems to have been born for the part. He is tremendously athletic as the rebel slave, and most of all an excellent actor, as is his partner Nina Kaptsova. The facial expressions are focused on strongly, both by occasional close ups and by the high resolution of the Blu-ray transfer. However, the majority of the shots are full stage, which would frequently be a big blur if not for the high def of Blu-ray. The live performance was videotaped in January of last year when the Bolshoi performed it at the Palais Garnier of the Paris Opera.

Of the other two primary dancers - Alexander Volchkov as the Roman general Crassus and Maria Allash as Aegina the courtesan, his consort, Allash is superb. Aegina rules with Crassus, even visiting some of Spartacus’ soldiers before the final battle to get them drunk and distracted with her lascivious dance. Crassus is supposed to embody the power of Rome, and he finally brutally attacks Spartacus - who had saved his life. But Volchkov is a bit too “nice” in his body language and movements - not a proper opponent for Spartacus. Khachaturian’s music is some of his most colorful and exotic. The famous Adagio is its best-known excerpt and Acosta and Kaptsova’s pas de deux to it is a highlight of the ballet. Khachaturian’s score is credited by the dancers with being perfectly matched with Grigorovich’s choreography.

Links:

Blu-ray - Khachaturian - Acosta: Spartacus - Decca

BDRip 720 | 1280x720, x264 | DTS

This is one of the most powerful ballets in the Bolshoi’s repertory, and regarded as a milestone in the history of ballet for men. The Bolshoi dancers regard it as central to their dance art. The story of the slave uprising in early Rome led by gladiator Spartacus was a natural fit for Soviet culture, even though the uprising was ill-fated. The Romans represented the Tsarist regime of course, and the downtrodden slaves the proletariat. With the end of the Soviet Union the ballet was out of favor for a time, but has now been revived for a third run and its success revolves around the work’s new star - Cuban dancer Carlos Acosta.

Acosta didn’t know a word of Russian when he came to rehearse with the Bolshoi dancers, but Cuba has a history of Russian and other ballet leaders having been active on the island. Acosta seems to have been born for the part. He is tremendously athletic as the rebel slave, and most of all an excellent actor, as is his partner Nina Kaptsova. The facial expressions are focused on strongly, both by occasional close ups and by the high resolution of the Blu-ray transfer. However, the majority of the shots are full stage, which would frequently be a big blur if not for the high def of Blu-ray. The live performance was videotaped in January of last year when the Bolshoi performed it at the Palais Garnier of the Paris Opera.

Of the other two primary dancers - Alexander Volchkov as the Roman general Crassus and Maria Allash as Aegina the courtesan, his consort, Allash is superb. Aegina rules with Crassus, even visiting some of Spartacus’ soldiers before the final battle to get them drunk and distracted with her lascivious dance. Crassus is supposed to embody the power of Rome, and he finally brutally attacks Spartacus - who had saved his life. But Volchkov is a bit too “nice” in his body language and movements - not a proper opponent for Spartacus. Khachaturian’s music is some of his most colorful and exotic. The famous Adagio is its best-known excerpt and Acosta and Kaptsova’s pas de deux to it is a highlight of the ballet. Khachaturian’s score is credited by the dancers with being perfectly matched with Grigorovich’s choreography.

Links:

Monday, July 25, 2011

Albeniz: Suite Espanola - Falla: El Amor Brujo - Burgos -Decca

Front Cover + Lossless


Track Listing:
1. El Amor Brujo: Introducción Y Escena... En La Cueva
2. El Amor Brujo: Canción Del Amor Dolido
3. El Amor Brujo: El Aparecido... Danza Del Terror
4. El Amor Brujo: El Círculo Magico... A Media Noche
5. El Amor Brujo: Danza Ritual Del Fuego
6. El Amor Brujo: Escena
7. El Amor Brujo: Canción Del Fuego Fatuo
8. El Amor Brujo: Pantomima
9. El Amor Brujo: Danza Fel Juego De Amor
10. El Amor Brujo: Final
11. Goyescas: Intermezzo
12. Castilla
13. Asturias
14. Aragón
15. Cádiz
16. Sevilla
17. Granada
18. Cataluña
19. Córdoba

El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version)
Composed by Manuel de Falla
Performed by New Philharmonia Orchestra
with Nati Mistral
Conducted by Rafael Fruhbeck de Burgos

Intermezzo, arranged for orchestra (from "Goyescas"), H. 71
Composed by Enrique Granados
Performed by New Philharmonia Orchestra
Conducted by Rafael Fruhbeck de Burgos

Suite española No. 1, for piano, Op. 47, B. 7
Composed by Isaac Albeniz
Performed by New Philharmonia Orchestra
Conducted by Rafael Fruhbeck de Burgos

Albeniz: Suite Espanola - Falla: El Amor Brujo - Burgos -Decca

Front Cover + Lossless


Track Listing:
1. El Amor Brujo: Introducción Y Escena... En La Cueva
2. El Amor Brujo: Canción Del Amor Dolido
3. El Amor Brujo: El Aparecido... Danza Del Terror
4. El Amor Brujo: El Círculo Magico... A Media Noche
5. El Amor Brujo: Danza Ritual Del Fuego
6. El Amor Brujo: Escena
7. El Amor Brujo: Canción Del Fuego Fatuo
8. El Amor Brujo: Pantomima
9. El Amor Brujo: Danza Fel Juego De Amor
10. El Amor Brujo: Final
11. Goyescas: Intermezzo
12. Castilla
13. Asturias
14. Aragón
15. Cádiz
16. Sevilla
17. Granada
18. Cataluña
19. Córdoba

El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version)
Composed by Manuel de Falla
Performed by New Philharmonia Orchestra
with Nati Mistral
Conducted by Rafael Fruhbeck de Burgos

Intermezzo, arranged for orchestra (from "Goyescas"), H. 71
Composed by Enrique Granados
Performed by New Philharmonia Orchestra
Conducted by Rafael Fruhbeck de Burgos

Suite española No. 1, for piano, Op. 47, B. 7
Composed by Isaac Albeniz
Performed by New Philharmonia Orchestra
Conducted by Rafael Fruhbeck de Burgos

Tuesday, July 19, 2011

Tippett - Sonatas, Quartets, Double Concerto, Triple Concerto, Symphonies, etc - 6CDs - Decca

Covers + lossless, Not my Rip

CD1
[1]-[4] Piano Sonata No.1
[5] Piano Sonata No.2
[6]-[8] Piano Sonata No.3
Paul Crossley piano
[9] Fanfare for Brass
Philip Jones Brass Ensemble
[10]-[13] Sonata for Four Horns
Barry Tuckwell Horn Quartet
CD2
[1]-[3] String Quartet No.1
[4]-[7] String Quartet No.2
[8]-[12] String Quartet No.3
Lindsay String Quartet
CD3
[1] Fantasia Concertante on a Theme of Corelli
[2]-[4] Concerto for Double String Orchestra
Academy of St Martin in the Fileds
Sir Neville Marriner
[5]-[9] Triple Concerto for Violin, Viola, Cello & Orchestra
György Pauk violin Nobuko Imai viola Ralph Kirshbaum cello
London Symphony Orchestra
Sir Colin Davis
CD4
[1]-[4] Symphony No.1
[5]-[8] Symphony No.2
London Symphony Orchestra
Sir Colin Davis
[9] Little Music for String Orchestra
Academy of St Martin in the Fileds
Sir Neville Marriner
CD5
[1]-[7] Symphony No.3
Heather Harper soprano
London Symphony Orchestra
Sir Colin Davis
[8]-[16] Ritual Dances (from The Midsummer Marriage)
Orchestra of the Royal Opera House, Covent Garden
Sir John Pritchard
CD6
[1]-[5] Suite in D for the Birthday of Prince Charles
Chicago Symphony Orchestra
Sir Georg Solti
[6]-[8] Concerto for Orchestra
London Symphony Orchestra
Sir Colin Davis
[9]-[15] Symphony No.4
Chicago Symphony Orchestra
Sir Georg Solti

Links:

Tippett - Sonatas, Quartets, Double Concerto, Triple Concerto, Symphonies, etc - 6CDs - Decca

Covers + lossless, Not my Rip

CD1
[1]-[4] Piano Sonata No.1
[5] Piano Sonata No.2
[6]-[8] Piano Sonata No.3
Paul Crossley piano
[9] Fanfare for Brass
Philip Jones Brass Ensemble
[10]-[13] Sonata for Four Horns
Barry Tuckwell Horn Quartet
CD2
[1]-[3] String Quartet No.1
[4]-[7] String Quartet No.2
[8]-[12] String Quartet No.3
Lindsay String Quartet
CD3
[1] Fantasia Concertante on a Theme of Corelli
[2]-[4] Concerto for Double String Orchestra
Academy of St Martin in the Fileds
Sir Neville Marriner
[5]-[9] Triple Concerto for Violin, Viola, Cello & Orchestra
György Pauk violin Nobuko Imai viola Ralph Kirshbaum cello
London Symphony Orchestra
Sir Colin Davis
CD4
[1]-[4] Symphony No.1
[5]-[8] Symphony No.2
London Symphony Orchestra
Sir Colin Davis
[9] Little Music for String Orchestra
Academy of St Martin in the Fileds
Sir Neville Marriner
CD5
[1]-[7] Symphony No.3
Heather Harper soprano
London Symphony Orchestra
Sir Colin Davis
[8]-[16] Ritual Dances (from The Midsummer Marriage)
Orchestra of the Royal Opera House, Covent Garden
Sir John Pritchard
CD6
[1]-[5] Suite in D for the Birthday of Prince Charles
Chicago Symphony Orchestra
Sir Georg Solti
[6]-[8] Concerto for Orchestra
London Symphony Orchestra
Sir Colin Davis
[9]-[15] Symphony No.4
Chicago Symphony Orchestra
Sir Georg Solti

Links:

Saturday, July 16, 2011

J.Strauss: Die Fledermaus - Karajan - Decca

Covers + lossless, Not my Rip

Disc 1:
1. Die Fledermaus (The Bat), operetta (RV 503): Act I: Overture
2. Die Fledermaus (The Bat), operetta (RV 503): Act I: Täubchen, das entflattert ist
3. Die Fledermaus (The Bat), operetta (RV 503): Act I: Da schreibt meine Schwester Ida
4. Die Fledermaus (The Bat), operetta (RV 503): Act I: Nein, mit solchen Advokaten
5. Die Fledermaus (The Bat), operetta (RV 503): Act I: Komm mit mir zum Souper
6. Die Fledermaus (The Bat), operetta (RV 503): Act I: So muß allein ich bleiben
7. Die Fledermaus (The Bat), operetta (RV 503): Act I: Trinke, Liebchen, trinke schnell
8. Die Fledermaus (The Bat), operetta (RV 503): Act I: Ich höre Stimmen; man spricht unten!
9. Die Fledermaus (The Bat), operetta (RV 503): Act I: Mein Herr, was dächten Sie von mir
10. Die Fledermaus (The Bat), operetta (RV 503): Act I: Nein, nein, ich zweifle gar nicht mehr
11. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ein Souper heut' uns winkt
12. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ich lade gern mir Gäste ein
13. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ach, meine Herr'n und Damen
14. Die Fledermaus (The Bat), operetta (RV 503): Act II: Mein Herr Marquis
15. Die Fledermaus (The Bat), operetta (RV 503): Act II: Dieser Anstand so manierlich
16. Die Fledermaus (The Bat), operetta (RV 503): Act II: Klänge der Heimat
17. Die Fledermaus (The Bat), operetta (RV 503): Act II: Im Feuerstrom der Reben
Disc 2:
1. Die Fledermaus (The Bat), operetta (RV 503): Act II: Herr Chevalier, ich grüße Sie!
2. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Vilja-Lied
3. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Vilja-Lied
4. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; I Could Have Danced All Night
5. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Passione
6. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Lullaby
7. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Il bacio
8. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Dein ist mein ganzes Herz
9. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Summertime
10. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Anything You Can Do
11. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Wien, Wien, nur du allein
12. Die Fledermaus (The Bat), operetta (RV 503): Act III: Entr'acte
13. Die Fledermaus (The Bat), operetta (RV 503): Act III: Herr Direktor! Wo is er denn?
14. Die Fledermaus (The Bat), operetta (RV 503): Act III: Spiel' ich die Unschuld vom Lande
15. Die Fledermaus (The Bat), operetta (RV 503): Act III: Ich stehe voll Zagen
16. Die Fledermaus (The Bat), operetta (RV 503): Act III: O Fledermaus, o Fledermaus

Links:

J.Strauss: Die Fledermaus - Karajan - Decca

Covers + lossless, Not my Rip

Disc 1:
1. Die Fledermaus (The Bat), operetta (RV 503): Act I: Overture
2. Die Fledermaus (The Bat), operetta (RV 503): Act I: Täubchen, das entflattert ist
3. Die Fledermaus (The Bat), operetta (RV 503): Act I: Da schreibt meine Schwester Ida
4. Die Fledermaus (The Bat), operetta (RV 503): Act I: Nein, mit solchen Advokaten
5. Die Fledermaus (The Bat), operetta (RV 503): Act I: Komm mit mir zum Souper
6. Die Fledermaus (The Bat), operetta (RV 503): Act I: So muß allein ich bleiben
7. Die Fledermaus (The Bat), operetta (RV 503): Act I: Trinke, Liebchen, trinke schnell
8. Die Fledermaus (The Bat), operetta (RV 503): Act I: Ich höre Stimmen; man spricht unten!
9. Die Fledermaus (The Bat), operetta (RV 503): Act I: Mein Herr, was dächten Sie von mir
10. Die Fledermaus (The Bat), operetta (RV 503): Act I: Nein, nein, ich zweifle gar nicht mehr
11. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ein Souper heut' uns winkt
12. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ich lade gern mir Gäste ein
13. Die Fledermaus (The Bat), operetta (RV 503): Act II: Ach, meine Herr'n und Damen
14. Die Fledermaus (The Bat), operetta (RV 503): Act II: Mein Herr Marquis
15. Die Fledermaus (The Bat), operetta (RV 503): Act II: Dieser Anstand so manierlich
16. Die Fledermaus (The Bat), operetta (RV 503): Act II: Klänge der Heimat
17. Die Fledermaus (The Bat), operetta (RV 503): Act II: Im Feuerstrom der Reben
Disc 2:
1. Die Fledermaus (The Bat), operetta (RV 503): Act II: Herr Chevalier, ich grüße Sie!
2. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Vilja-Lied
3. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Vilja-Lied
4. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; I Could Have Danced All Night
5. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Passione
6. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Lullaby
7. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Il bacio
8. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Dein ist mein ganzes Herz
9. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Summertime
10. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Anything You Can Do
11. Die Fledermaus (The Bat), operetta (RV 503): Act II: Gala; Wien, Wien, nur du allein
12. Die Fledermaus (The Bat), operetta (RV 503): Act III: Entr'acte
13. Die Fledermaus (The Bat), operetta (RV 503): Act III: Herr Direktor! Wo is er denn?
14. Die Fledermaus (The Bat), operetta (RV 503): Act III: Spiel' ich die Unschuld vom Lande
15. Die Fledermaus (The Bat), operetta (RV 503): Act III: Ich stehe voll Zagen
16. Die Fledermaus (The Bat), operetta (RV 503): Act III: O Fledermaus, o Fledermaus

Links:

Mendelssohn - Bruch: Violin Concertos - Jansen - Chailly - Decca

Covers + lossless, Not my Rip

01. Mendelssohn Violin Concerto in E minor, op.64 - I. Allegro molto appassionato
02. Mendelssohn Violin Concerto in E minor, op.64 - II. Andante
03. Mendelssohn Violin Concerto in E minor, op.64 - III. Allegro molto vivace
04. Bruch Romance in F major for Viola and Orchestra, op.85
05. Bruch Violin Concerto No.1 in G minor, op.26 - I. Vorspiel - Allegro moderato
06. Bruch Violin Concerto No.1 in G minor, op.26 - II. Adagio
07. Bruch Violin Concerto No.1 in G minor, op.26 - III. Finale: Allegro energico

Janine Jansen, Violin
Gewandhaus Orchestra
Riccardo Chailly, Conductor

Links:

Mendelssohn - Bruch: Violin Concertos - Jansen - Chailly - Decca

Covers + lossless, Not my Rip

01. Mendelssohn Violin Concerto in E minor, op.64 - I. Allegro molto appassionato
02. Mendelssohn Violin Concerto in E minor, op.64 - II. Andante
03. Mendelssohn Violin Concerto in E minor, op.64 - III. Allegro molto vivace
04. Bruch Romance in F major for Viola and Orchestra, op.85
05. Bruch Violin Concerto No.1 in G minor, op.26 - I. Vorspiel - Allegro moderato
06. Bruch Violin Concerto No.1 in G minor, op.26 - II. Adagio
07. Bruch Violin Concerto No.1 in G minor, op.26 - III. Finale: Allegro energico

Janine Jansen, Violin
Gewandhaus Orchestra
Riccardo Chailly, Conductor

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